“ PERLASYNTHICS” by Jana Schröder is on view from January 28 through February 25, 2023 at Nino Mier Gallery in New York.ĭerrick Adams is simply in a league of his own. Take note: with a deep roster of European artists, he is unveiling his 4,500 square-foot ground floor SoHo space this weekend.
Meanwhile, Nino is an LA fixture, preceded by five spaces in his hometown, one in Marfa, Texas and two in Brussels. Based in Düsseldorf, Schröder’s moment has come, and once you know her work it's unmistakable.
The body of work will be rendered in fast-drying acrylic for the first time, and with a broader color range than ever before. I’m so looking forward to “PERLASYNTHICS,” which showcases her large masterpieces in the artist’s signature, saturated lexicon of scribbles and curling brushwork. Luckily, us New Yorkers will now have a Schröder all our own. Jana Schröder’s roaring, frenetic compositions have been lodged in my psyche since Nino Mier’s spectacular group exhibition last summer, “Painters Paint Paintings: LA Version,” curated by art advisor Alexander Warhus. Welcome to New York: I’ve Been Waiting for You Image courtesy of the artist and Nino Mier Gallery. Jana Schröder, PERLASYNTHIC L13 (TBT), 2022. By pushing their medium to new heights, each artist reminds us of Covid’s enduring truth: there’s no substitute for experiencing art in real life. My goal is to keep Duly Noted always about the artists by highlighting the painters and sculptors that will define the decade ahead and dominate buyer’s wishlists. This week we begin in my home turf-no dethroning New York as the white-hot, nucleus just yet-but throughout the year, I’ll be coming to you from Los Angeles, Mexico City, Paris, and beyond with concise reporting and reviews. Join me the last Thursday of each month as I cut through the noise to tell you about the most important art shows and why you can’t miss them. Yet we still have the same amount of time on our calendar, perhaps even less with a booming fair circuit that vies for attention.Įnter: Duly Noted. The bad news? There’s a deluge of emerging names and top-notch spaces-with no sign of slowing, especially from the smaller, sexier galleries. At the same time, Palm Beach continues to blossom as an ecosystem with sustained programming from the likes of Lehmann Maupin, Pace, and Gavlak Gallery. While in the Hamptons, Hauser & Wirth has reverted to a seasonal schedule and Phillips has abandoned Southampton.
Speaking of competition, the specter of Los Angeles as the country’s cultural epicenter certainly looms. New York’s TriBeCa, gathering steam as a significant arts district since the fall of 2019, has experienced an explosion post-shutdown, giving Chelsea a bona fide run for its money. According to the 2022 Art Basel and UBS Global Art Market Report, sales are already outperforming the year before the pandemic. As a contemporary art journalist, I’m always asked two questions: “what should I see this weekend?” and “what should I buy?” The good news first: the art world has never been bigger or more dynamic.
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