Nightmare fights completely autonomously, and it can be very extremely satisfying to watch him emerge through a wall or rain down from the sky and just wreck a whole crowd of enemies. Instead, he summons three familiars to do battle for him: There’s Shadow, a black cat that can morph into various blades and creatures Griffon, a bird that can fire a variety of electrical blasts from a distance and Nightmare, a gargantuan beast that can only be summoned when V builds up his Devil Trigger meter. “And then finally there’s V, who plays completely unlike any character in any Devil May Cry game due to the fact that he barely does any of the fighting himself. There’s even an “auto-assist” mode that automatically performs cool and flashy combos by just mashing the attack button, letting even casual players feel what it’s like to play at a higher technical level. If that’s as deep as you want to go, you can absolutely get through the campaign on normal difficulty just fine with nothing more. On the surface, it’s a very simple system: There’s one button for melee attacks, one for ranged attacks, and one for your Devil Breaker, style technique, or cane attack, depending on which character you’re using. Devil May Cry 5’s combat is absolutely sublime.
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By the end of its 10 to 12 hours I still had some questions left over, but overall the plot kept me hooked all the way through with satisfying revelations, a few answers that fill in some long-standing series plot holes, and of course, the off-the-wall action that only Devil May Cry can deliver. Like Nero, I was never sure if I could trust V and found myself formulating theory after theory about his identity and motives with every new morsel of information that was fed to me. There’s a great air of mystery to the unknown nature of both Urizen and V.
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